
The whole thing smacks of illusion. This"Tori" person that we thought we loved, doesn't exists anymore, but instead the "Tori" is really want she thinks we want. We got all the slow melodies from the last album, so now it's time for the warrior woman. Unfortunately she's been warring with the same old song since 1992. Can you imagine that she's taken a b-side "Sweet Dreams" a song that she didn't even feel was good enough to make the album originally and she's turned that song into 25 and put them on an album?
There are moments on this album that I love. They seem to be the glimpses back into when "Tori" was Tori and could access her emotions during the music. During "Dragon" before the sickly sweet chorus, it almost hearkens back to 'Pele' and there are some times things rock like "Body and Soul" before she draws out the word "conversion" into 18 syllables and "Bouncing off Clouds" if you ignore all the oddly phrased lines.
While I'm excited to see her in Boise with Niki in December, I'm more excited for the live aspect of music that I love, rather then hearing the new songs. She can play a crowd very well and she always promises a show. She is a true performer and I think she really does love being on the stage, but I feel some of my fandom slipping away. Her kookiness is a bit too kooky for me now I guess. It's hard to relate to the music when it's so lacking in spirit.

Oh "Tori" could you please bring back the girl and her piano?
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